Follow the link if you need some background on Solomon Grundy or Talia Al Ghul.
Showing posts with label Batman. Show all posts
Showing posts with label Batman. Show all posts
Thursday, July 21, 2011
Batman: Arkham City - Penguin Trailer and Talia Al Ghul
Follow the link if you need some background on Solomon Grundy or Talia Al Ghul.
Wednesday, July 20, 2011
LEGO DC UNIVERSE!!!
Soon we could have LEGO Green Lantern, Flash and Wonder Woman to join the LEGO Batman team. Oh, I wish I was 8 again....As a little preview here is some DC Universe/LEGO art that I found on DeviantArt. Story after the break.
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Source: VarietyWarner Bros. has expanded its relationship with Lego, granting the toymaker access to DC Entertainment's complete library of comicbook characters and stories to launch DC Universe "Super Heroes" as figures and playsets.
The multi-year licensing deal, made through Warner Bros. Consumer Products, will start rolling out the new line in January, starting with 13 characters, including Batman, Superman, Wonder Woman and villains the Joker, Bane, Harley Quinn and Lex Luthor.
The first toys will be shown off at the Lego booth at Comic-Con Intl. in San Diego, where 3,000 exclusive Batman and Green Lantern minifigures will be distributed to launch a promo that runs August-December, enabling fans to create and submit videos, photos or illustrations of the characters to win trips to Legoland and Warner Bros. Studios.
WB and Lego had already been producing toys and videogames around the Batman franchise, and will launch a new set of playthings around next summer's "The Dark Knight Rises" through the Lego Batman collection. The "Lego Batman: The Videogame," published by WB Bros. Interactive Entertainment, has sold more than 12 million units since 2008."This partnership gives builders a chance to recreate the characters, vehicles and worlds of some of the most iconic super heroes, so they can relive the action and even customize it, a proven and winning formula in Lego construction," said Jill Wilfert, VP, licensing and entertainment for the Lego Group.
Tuesday, July 19, 2011
Dan DiDio and Jim Lee explain the changes to DC Comics and the DCU
Newsarama talked to senior members of DC Comics, Dan DiDio and Jim Lee, about the changes that are coming to the DC Universe in September.It is quite a lengthy interview, so please click on the post title to read the whole thing.
Check out my earlier post on why Ithink the DCnU relaunch may be a missed oportunity.
Superman
Newsarama: Dan and Jim, the news just broke about what's coming for Superman, and there are a lot of changes to his status. We've already been told there are few if any changes to Batman. So why change Superman so much?
Dan DiDio: It's one of the things we were looking at, how the storylines and characters were working. We saw a number of things we wanted to change with Superman because we've gone down so many roads with the character, in regards to the "Grounded" storyline, we've looked at things that took place with the "War of Krypton." We've looked over the last few years at what we've been doing and the changes we've been making with Superman.
But we also wanted to get back to some of the grass roots of the character. And some of the best ways to do that is to really go back to the early days of the character, where you see him in his formative years, learning his powers, and learning how people react to him, as we'll be examining in Action Comics. But also, we want to re-examine his relationships, because we think there's a lot of fertile ground about him and the people he deals with."
Nrama: But Dan, these changes are huge. There must have been something you felt was just not working with the way Superman was going. Was it too complicated? Did he feel too old? Was it that people couldn't relate to him? Or what?
DiDio: I think in some cases, he felt a little old. We've made Superman such an iconic figure over the years that we've lost some of the character and the ability to tell stories with that character. There's so much continuity that's been built on this character. We really wanted to get a Superman that is more accessible to the audience.
And one of the reasons we did it with Superman is it was done once before, and very successfully. We're hoping for the same luck here.
Dawn of Superheroes
Nrama: There are some mixed signals out there with this language you're using by labeling five years ago as the "dawn of the age of superheroes," which is the time period when the new Justice League and Action Comics take place. We've been told that Stormwatch has a long secret history, and Demon Knights takes place hundreds of years ago. And there's a lot of history you're keeping with Green Lantern. Was it really only five years ago that superheroes "dawned" in the DCU?
Jim Lee: It's really about re-introducing the concept of superheroes in the DC Universe, and doing it in a more contemporary, timely way. Even though you have books like Demon Knights or even All-Star Western, it's not about public recognition or understanding that there are beings amongst us with extraordinary powers.
We wanted a situation in Action and in Justice League where we show the first public emergence of these so-called super-beings and how they impact society, politics, the world. In many ways, it starts out in a way that one would imagine in today's day and age with fear and caution, and people literally freaking out about this. It's through the introduction of a character like Superman and the Justice League that the public starts understanding and accepting these characters for who they are and sees them as heroes for the very first time, coining the word "superhero."
So I think it's a re-examination of how superheroes are perceived in culture, and doing it through the lens of the modern era versus looking back at the history of superheroes through five or six decades of actual time.
Isolated Alien
Nrama: Both Superman and Supergirl are playing up their status as this "brooding alien" who feels isolated on Earth. Is this something you feel is relevant now? Something people can identify with — feeling like an alien?
DiDio: A little bit of that is the sense of separation or isolation that people might face when they don't feel like they truly belong or they just really don't know what their full place in society is. And Superman is someone who presents a very public image and he needs to be accepted by everyone, because there might be fear that's generated by who he is, at the start, but there's also a high level of acceptance of who he is.
Understanding his alien nature of where he comes from, and where his roots are, are essential as he makes choices about who he is.
That's one of the things we're trying to explore much more. We've told so many great stories over the years where Superman has embraced his human side and built stories around that side of the characterization. Now we're flipping it around a little bit and really embracing his alien side, so we can understand what it's like to be a man from another world, living amongst men, but not feeling like you're a part of it, but belonging to them all. Yet everyone turns to you for leadership.
Lee: I think the issue of self-identity and knowing who you are is something that's universal, and obviously, it's a very powerful theme. I'll tell you that, on a personal level, as an immigrant that was born in South Korea and moved to the United States, I can very much identify with being part of society, but also feeling like you're an outsider at the same time.
I think characters, not just Superman but other superhero characters, have a very public face and also a private, personal identity. I think it's that exploration between the two that's going to make part of the September relaunch very interesting on a story level.
Nrama: I read a survey recently where people are more connected through the internet now, but they actually feel more lonely and isolated. I guess it's comparable to having that "public" face be different from the private one, and feeling like nobody knows the real person behind the mask, or in this case, the computer screen.
Lee: Sure! Yeah, I read that too! There are a lot of interesting, even oxymoronic things happening in our society right now.
I think that even plays into what I think is one of the most interesting discussions in comics, where, "Is Batman actually Bruce Wayne? Or is Bruce Wayne actually Batman? Which one is the real character and which one's the mask?" I think the exploration of those things is what makes comic so interesting.
Lois and Clark
Nrama: For us married folks, it feels like there's this implication that marriage isn't interesting enough for superhero stories, but is that what influenced your decision to get Clark out of the marriage to Lois? The lack of drama that marriage offers?
DiDio: It's not that marriage isn't interesting. It's just that we want to make the subplots and soap opera aspects of comic book storytelling open and accessible to us. Naturally, as we get older, our lives move on. But we move our characters too quickly, and what we do is limit our stories and story potential by doing so.
Also, we wanted to have that sense of isolation that might come with being an alien among men. The two choices that were made, with both his parents being dead and not being married, isolated Clark a little bit more, so that he really had to do more exploration about mankind. There wasn't that one strong human tether that he was bonding with and learning through.
He's had so much learning and understanding from the days with his parents, but the rest of the discovery is on his own. If we had him married to Lois right now, he would always have a strong base to work from. We wanted to explore much bigger and wider stories with him. It's really the learning and growing of this character that is going to be the basis for so much of what Grant and George are going to be doing with their series and with Superman.
Lee: I'm also married, and I love it! So I don't think this is a knock against marriage. That said, marriage brings about a certain degree of comfort and security in one's life. If you have a life partner, you always have someone to rely on. So from a story conflict point of view, it makes for a less dramatic story. I think a lot of writers can agree that one of the most dynamic periods of Superman's history was that period where there was a love triangle between Clark Kent, Superman and Lois Lane. There's a lot of tension and interest you create in the characters by having that kind of dynamic.
We're not doing exactly that love triangle. We're introducing other elements into it. Through that, we're really updating who the character is and making Superman a character that you think you know, but maybe not. We have some surprises up our sleeves. And I think Grant has some incredible ideas about not only what he wants to do with Superman but Clark Kent, and really updating the whole mythology so that people can relate to it on a more personal level.
DiDio: When we sat down the writers, we were all pretty much in agreement that this was the best place to go, because it gave us more potential for the stories at the starting point. We needed a really strong starting point here, and we felt this was a great way to do it.
Man of Steel
Nrama: When DC Entertainment was first formed, one of the ideas behind it was to align what you're doing in comics with other media. Was this move to reboot Superman in comics informed or influenced by the fact that the movie universe is rebooting Superman with the Man of Steel film?
DiDio: Not at all. That said, I doubt they would ever start a series or anything where Superman was married at the beginning. You go back to when Superman got married, that was a stunt tied to a television show at that particular moment in time, and when that show ended, the marriage continued. But every other interpretation of Superman that followed did not have them married.
So it just shows you that we do operate at our own rate and in our own rules, and that's the way we operate now.
Lee: I'm very honored and excited to be part of an initiative with a character that is originating in print. This is really about making sure that the source material, which is the comics, remains as contemporary and fresh and exciting as possible.
It's not a situation where the comics are licensed from games, or movies, or TV shows, or animation, where these characters are frozen in time to reflect something that might be a bigger business part of Warner Bros. It's in fact the reverse. It's comics.
Comics are the drivers and the creative content. Comics are where we can take the creative risks and creative chances with the characters. It's our responsibility to keep them exciting and fresh. The overall mission of DC Entertainment is to allow other gifted filmmakers or people who work in games or animation the opportunity to go through and find things in the DC library that interest them and that they think have potential in other media. That's part of the ecosystem we're trying to build.
So it's not about one lining up with the other. It's about keeping what we're doing on the publishing side as relevant and exciting as possible.
Decision to Relaunch the DCU
Nrama: Let's back up to when the decision for the relaunch took place. When Marvel announced their Civil War storyline, they admitted there was a division among people in the room about whether they should do it. I think Tom Brevoort even said on the record that he hated the idea at first. Yet the language from DC feels more like everyone singing the party line. Surely you guys considered challenges to this and had some in-house, didn't you?
Lee: If there was anything, we had questions about whether we're being bold enough, not just in terms of Superman, but across the whole 52 line. We wanted to do a line-wide initiative and really make some dramatic changes that really refocused attention on the characters.
There's always a tendency, with these characters, to play it safe, to hedge your bets, because you know these characters are so well loved that there will be controversy and outcries and all this kind of stuff.
But I really do feel that if you have the best creative team on the characters, you have sound ideas, and you have a great direction that you want to explore, then you should go in that direction.
I remember the last time there was interest in Superman was, like Dan said, the last time, when John Byrne rebooted the franchise. He really took the origin that we knew and updated it and added new subtleties and nuances. For me, that was my heyday of collecting Superman comic books. It really felt like this was my version of Superman. I know it really created a lot of excitement for that character, not just among die-hard DC fans, but across all comic book readers in general.
DiDio: We actually had, last year, a very large writers meeting about the general direction and tone of the DC Universe, and one of the conversations that was the biggest conversation in the room was about the marriage of Lois and Clark, and it was a much discussed topic.
Most people saw the benefits of making this change, because they saw what the story potential was and how much they could open up their ability to examine the character in a bigger way, once we decided to move in this direction.
Oracle to Batgirl
Nrama: Let's talk about the decision to change Barbara Gordon's status from Oracle to Batgirl. Was there any consideration about how this would affect diversity in the DCU, since you're basically eliminating one of your most beloved disabled heroes?
DiDio: I think we have a really strong line that features a wider range of diversity throughout it. And in this particular case, we were looking specifically back at the Barbara Gordon character. And when you talk about Batgirl, whether it's with a casual fan or even to somebody who just knew the Batman character, Barbara Gordon is always the one people default to as "who Batgirl is."
Believe it or not, this was the more difficult choice to make for us, because we saw what the benefits of the Oracle character were, we saw what the challenges of making this change were going to be.
A couple things helped make our decision on this. One is that we felt like Barbara Gordon was always going to be the strongest Batgirl. And we had chances to tell new stories with her too. And also, the role of Oracle as a character in the DCU has changed greatly. When Oracle was first created, there was a sense of an emerging internet, and an emerging world of data out there. A lot of that has changed, and the role of Oracle has changed over the years.
What we needed to do was to continue to make Barbara Gordon one of the strongest characters possible, in or out of the wheelchair. And we felt that this was a strong direction for us.
But also, we're not discounting anything that character has gone through. And we want to make her change and her challenges a part of her story. And [writer] Gail [Simone] is doing a wonderful job with it.
Nrama: We've heard that she will go through physical therapy. Are you confirming that her past disability will continue to be part of her story going forward?
DiDio: Yes!
Lee: Absolutely. And I really think because of her past as Oracle, Batgirl will become — no, not become — she will remain one of the most interesting characters in the DC Universe. What Gail has been writing has been tremendously inspirational and exciting at the same time.
"Soft" Reboot and New Readers
Nrama: You're trying to reach new readers, and you're making Superman more "accessible" by dropping his convoluted history. And yet at the same time, you have this "soft" reboot where you've got Barbara dealing with her lengthy past, you've got a Green Lantern #1 comic that doesn't star Hal Jordan because of a recent storyline, and you've got a Batman with a son from a past storyline. Isn't this making continuity more convoluted? Why did you make the decision to keep this type of continuity when you're dropping others to attract new readers? Was it only about what books were already selling well?
Lee: I would say it was all creatively decided, but obviously if you have really strong content and really great creative direction, it's going to affect sales.
On an editorial level, we instinctively knew what was working and what wasn't working. We knew what needed a fresh coat of paint or even a complete overall. I'll use Teen Titans as an example of a concept where we changed it a lot. In that case, we felt that the book should be doing better, and creatively, we felt it was one that needed a shock to the system.
That's what you're seeing. Sometimes we realized we had to take a pretty strong stand and do something dramatically different.
Fill-In Artists and Timeliness
Nrama: Timeliness seems to be a big part of your communication to DC artists and writers leading up to September, and we've heard there's an intent to use fill-in artists whenever needed. We saw some indications that's happening in October, because there are some new names that have shown up to help out. What's the thinking behind how you're approaching book timeliness now, and why is it more hard-line than in the past?
DiDio: It's more hard-line than in the past for several reasons, and one is that it's the largest concern we've heard from retailers on a continual basis. They've been concerned in the past about our inability to put out books on a consistent basis, especially the books that people are looking for.
The reality is that we're in a periodical business. Periodical means that we have to be out every month. We've made a contract with the retailers, and a contract with the fans, to deliver our product to them on a consistent basis, and we should do so.
Over time, we've gotten a little lax in our delivery, and people were willing to wait for books because those books mattered to them. But as it spread throughout the business, people became less patient and sales suffered for it.
We have to rebuild the retailer confidence, we have to rebuild the fan confidence in our ability to deliver, which means we have to hold a hard line and be there.
And a lot of people are just not monthly people anymore, so we have to be smarter about how we schedule our books, how we plan our books, and how we plan who's going to be on them. I think what matters more than anything else is our ability to be there month-in and month-out.
We want to build that fan loyalty again. We want to build that consistency. We want people who walk into a store expecting a comic to be able to find that comic. There's nothing more frustrating for me or any of the fans, I'm sure, to be excited about something then not be really sure when it's coming out.
It's something I feel extraordinarily passionate about, and we're going to great lengths to make sure we hold that schedule.
Some people say to me, how can you guarantee 100 percent delivery? And the answer comes back: "It's our job to do that." We will make sure we will do that, and we'll make sure we don't sacrifice quality or story along the way. We want to make sure that everybody working on the books deserves to be on those books and we're putting out our best products.
Digital Market
Nrama: Jim, I heard a retailer talk about some analogies he'd heard you use where you'd said that if the digital market is like a hair, then the print market is like an 8"x10" piece of paper, which implies the digital market is very small compared to print. What analogy would you use for what you hope to see after this initiative? Will they be more comparable? Will print shrink to expand digital, as many retailers think?
Lee: The ideal state would be for the digital slice to grow, but the overall size of the whole pie to grow as well. We hope and expect the influx of digital readers to be an additive layer of business on top of our existing print business.
That's not to say you're not going to have some conversion of print-to-digital customer. But we've found that the huge majority of print customers prefer comics in print, and they are going to stick with print.
We really feel the digital format going day-and-date, making this accessible to everyone with a portable media device, will allow a lot of lapsed fans and new fans to check out what we're doing in the DC Universe come September, and that level of interest will convert some of those new readers and lapsed readers back into regular readers. And that will benefit the entire comic book business.
So we want the digital slice to be larger, and we want the overall size of the pie to get larger along with it.
Pants and Reaction to Change
Nrama: Jim, you just put Wonder Woman in the pants a year ago. Why the change back to the bathing suit/bloomers look so soon?
Lee: I don't think anything has been officially announced in that regard. I think there have been a couple of interesting images online, but it's something that we'll discuss at San Diego Comic Con.
Nrama: The cover for Wonder Woman #1 used to feature her wearing the pants, but now it's been changed back to being the bathing suit look. Your spokespeople confirmed that was the new cover.
Lee: Yeah, here's the thing... the internet is like everyone looking at tealeaves for direction. There's so much interest in what's going on in September that everyone's looking at every little image and trying to interpret it.
It's exciting to see that level of passion for what we're doing in September.
I'll just say, as far as Wonder Woman, it's something we'll discuss at San Diego Comic Con.
The funny thing about what I've seen, in regards to whether she should have the bloomers or the long pants, is that there are probably just as many people who hate the concept of the shorts versus the long pants. There are just as many people who say, "What? No pants? What's going on?"
It's interesting to see how quickly the look for a character can take hold with the readership.
I think that's an important thing to note in all this. It feels like there's a lot of discussion and hoopla about the changes that are coming in September. A year from now, if we do our jobs right, there will be as many people who love what we've done as there may be now who are fearing the changes.
What we accept as the "status quo" for these characters now were big changes at some point. We have to invite change as we go forward in time, because if we don't, they become the pulp heroes of yesteryear. Part of the driving force behind the September initiative is not to rest on our laurels, to really step up and examine every bit of their mythology and look for exciting opportunities to really take these characters in new directions.
Nrama: Is that a goal? To change minds in a year?
Lee: I think it will be a lot quicker than in a year. What I'm saying is that the level of adoption and acceptance by fandom is much more elastic than people think.
Yes, people are surprised by change. People question it. But the truth is, a lot of people will check this material out, and given the line-up of creators, I would not bet against the DC Universe.
I think people are going to be pleasantly surprised by the storylines and new directions, the new looks, and you're going to have some really die-hard DC September relaunch fans come September 2012. I think that's just part of the history of comics, and part of the history of fandom.
Overall Goals
Nrama: Dan, how would you describe the overall goals of the September initiative, and how will you measure whether or not this worked?
DiDio: You know, naturally, increased sales is always a great measure for us. It's probably our strongest measure to gauge any level of success.
But realistically, I'm most excited about our ability to galvanize the industry and get people excited about it again, and about what we're doing.
I always say that apathy is the worst thing for comics, because the last thing we want to do is wake up one morning and find out that all the fans have left us. But our goal right now is to find a way to re-energize the business, re-energize our company and our characters.
How do I gauge that? I gauge it by the level of excitement, the level of conversation, and the level of sales we achieve.
We're in a position ourselves for a changing market, but we want to make sure everything we do is in the best interest of telling the best stories as possible. At the end of the day, it always comes down to, what are the stories? Whether we're putting it in print form or digital form. If the stories are there, if the stories are good, people will find them.
We need to be the best we can be right now, because if we look around us, we see a market that is shrinking. We feel like we're in the position right now that we have the ability to really start rebuilding ourselves and rebuilding the brand and rebuilding our characters for the future.
Check out my earlier post on why Ithink the DCnU relaunch may be a missed oportunity.
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Newsarama: Dan and Jim, the news just broke about what's coming for Superman, and there are a lot of changes to his status. We've already been told there are few if any changes to Batman. So why change Superman so much?
Dan DiDio: It's one of the things we were looking at, how the storylines and characters were working. We saw a number of things we wanted to change with Superman because we've gone down so many roads with the character, in regards to the "Grounded" storyline, we've looked at things that took place with the "War of Krypton." We've looked over the last few years at what we've been doing and the changes we've been making with Superman.
But we also wanted to get back to some of the grass roots of the character. And some of the best ways to do that is to really go back to the early days of the character, where you see him in his formative years, learning his powers, and learning how people react to him, as we'll be examining in Action Comics. But also, we want to re-examine his relationships, because we think there's a lot of fertile ground about him and the people he deals with."
Nrama: But Dan, these changes are huge. There must have been something you felt was just not working with the way Superman was going. Was it too complicated? Did he feel too old? Was it that people couldn't relate to him? Or what?
DiDio: I think in some cases, he felt a little old. We've made Superman such an iconic figure over the years that we've lost some of the character and the ability to tell stories with that character. There's so much continuity that's been built on this character. We really wanted to get a Superman that is more accessible to the audience.
And one of the reasons we did it with Superman is it was done once before, and very successfully. We're hoping for the same luck here.
Dawn of Superheroes
Nrama: There are some mixed signals out there with this language you're using by labeling five years ago as the "dawn of the age of superheroes," which is the time period when the new Justice League and Action Comics take place. We've been told that Stormwatch has a long secret history, and Demon Knights takes place hundreds of years ago. And there's a lot of history you're keeping with Green Lantern. Was it really only five years ago that superheroes "dawned" in the DCU?
Jim Lee: It's really about re-introducing the concept of superheroes in the DC Universe, and doing it in a more contemporary, timely way. Even though you have books like Demon Knights or even All-Star Western, it's not about public recognition or understanding that there are beings amongst us with extraordinary powers.
We wanted a situation in Action and in Justice League where we show the first public emergence of these so-called super-beings and how they impact society, politics, the world. In many ways, it starts out in a way that one would imagine in today's day and age with fear and caution, and people literally freaking out about this. It's through the introduction of a character like Superman and the Justice League that the public starts understanding and accepting these characters for who they are and sees them as heroes for the very first time, coining the word "superhero."
So I think it's a re-examination of how superheroes are perceived in culture, and doing it through the lens of the modern era versus looking back at the history of superheroes through five or six decades of actual time.
Isolated Alien
Nrama: Both Superman and Supergirl are playing up their status as this "brooding alien" who feels isolated on Earth. Is this something you feel is relevant now? Something people can identify with — feeling like an alien?
Understanding his alien nature of where he comes from, and where his roots are, are essential as he makes choices about who he is.
That's one of the things we're trying to explore much more. We've told so many great stories over the years where Superman has embraced his human side and built stories around that side of the characterization. Now we're flipping it around a little bit and really embracing his alien side, so we can understand what it's like to be a man from another world, living amongst men, but not feeling like you're a part of it, but belonging to them all. Yet everyone turns to you for leadership.
Lee: I think the issue of self-identity and knowing who you are is something that's universal, and obviously, it's a very powerful theme. I'll tell you that, on a personal level, as an immigrant that was born in South Korea and moved to the United States, I can very much identify with being part of society, but also feeling like you're an outsider at the same time.
I think characters, not just Superman but other superhero characters, have a very public face and also a private, personal identity. I think it's that exploration between the two that's going to make part of the September relaunch very interesting on a story level.
Nrama: I read a survey recently where people are more connected through the internet now, but they actually feel more lonely and isolated. I guess it's comparable to having that "public" face be different from the private one, and feeling like nobody knows the real person behind the mask, or in this case, the computer screen.
Lee: Sure! Yeah, I read that too! There are a lot of interesting, even oxymoronic things happening in our society right now.
I think that even plays into what I think is one of the most interesting discussions in comics, where, "Is Batman actually Bruce Wayne? Or is Bruce Wayne actually Batman? Which one is the real character and which one's the mask?" I think the exploration of those things is what makes comic so interesting.Lois and Clark
Nrama: For us married folks, it feels like there's this implication that marriage isn't interesting enough for superhero stories, but is that what influenced your decision to get Clark out of the marriage to Lois? The lack of drama that marriage offers?
DiDio: It's not that marriage isn't interesting. It's just that we want to make the subplots and soap opera aspects of comic book storytelling open and accessible to us. Naturally, as we get older, our lives move on. But we move our characters too quickly, and what we do is limit our stories and story potential by doing so.
Also, we wanted to have that sense of isolation that might come with being an alien among men. The two choices that were made, with both his parents being dead and not being married, isolated Clark a little bit more, so that he really had to do more exploration about mankind. There wasn't that one strong human tether that he was bonding with and learning through.
He's had so much learning and understanding from the days with his parents, but the rest of the discovery is on his own. If we had him married to Lois right now, he would always have a strong base to work from. We wanted to explore much bigger and wider stories with him. It's really the learning and growing of this character that is going to be the basis for so much of what Grant and George are going to be doing with their series and with Superman.
Lee: I'm also married, and I love it! So I don't think this is a knock against marriage. That said, marriage brings about a certain degree of comfort and security in one's life. If you have a life partner, you always have someone to rely on. So from a story conflict point of view, it makes for a less dramatic story. I think a lot of writers can agree that one of the most dynamic periods of Superman's history was that period where there was a love triangle between Clark Kent, Superman and Lois Lane. There's a lot of tension and interest you create in the characters by having that kind of dynamic.
We're not doing exactly that love triangle. We're introducing other elements into it. Through that, we're really updating who the character is and making Superman a character that you think you know, but maybe not. We have some surprises up our sleeves. And I think Grant has some incredible ideas about not only what he wants to do with Superman but Clark Kent, and really updating the whole mythology so that people can relate to it on a more personal level.
DiDio: When we sat down the writers, we were all pretty much in agreement that this was the best place to go, because it gave us more potential for the stories at the starting point. We needed a really strong starting point here, and we felt this was a great way to do it.
Man of Steel
Nrama: When DC Entertainment was first formed, one of the ideas behind it was to align what you're doing in comics with other media. Was this move to reboot Superman in comics informed or influenced by the fact that the movie universe is rebooting Superman with the Man of Steel film?
DiDio: Not at all. That said, I doubt they would ever start a series or anything where Superman was married at the beginning. You go back to when Superman got married, that was a stunt tied to a television show at that particular moment in time, and when that show ended, the marriage continued. But every other interpretation of Superman that followed did not have them married.
So it just shows you that we do operate at our own rate and in our own rules, and that's the way we operate now.
Lee: I'm very honored and excited to be part of an initiative with a character that is originating in print. This is really about making sure that the source material, which is the comics, remains as contemporary and fresh and exciting as possible.
It's not a situation where the comics are licensed from games, or movies, or TV shows, or animation, where these characters are frozen in time to reflect something that might be a bigger business part of Warner Bros. It's in fact the reverse. It's comics.
Comics are the drivers and the creative content. Comics are where we can take the creative risks and creative chances with the characters. It's our responsibility to keep them exciting and fresh. The overall mission of DC Entertainment is to allow other gifted filmmakers or people who work in games or animation the opportunity to go through and find things in the DC library that interest them and that they think have potential in other media. That's part of the ecosystem we're trying to build.
So it's not about one lining up with the other. It's about keeping what we're doing on the publishing side as relevant and exciting as possible.
Decision to Relaunch the DCU
Nrama: Let's back up to when the decision for the relaunch took place. When Marvel announced their Civil War storyline, they admitted there was a division among people in the room about whether they should do it. I think Tom Brevoort even said on the record that he hated the idea at first. Yet the language from DC feels more like everyone singing the party line. Surely you guys considered challenges to this and had some in-house, didn't you?Lee: If there was anything, we had questions about whether we're being bold enough, not just in terms of Superman, but across the whole 52 line. We wanted to do a line-wide initiative and really make some dramatic changes that really refocused attention on the characters.
There's always a tendency, with these characters, to play it safe, to hedge your bets, because you know these characters are so well loved that there will be controversy and outcries and all this kind of stuff.
But I really do feel that if you have the best creative team on the characters, you have sound ideas, and you have a great direction that you want to explore, then you should go in that direction.
I remember the last time there was interest in Superman was, like Dan said, the last time, when John Byrne rebooted the franchise. He really took the origin that we knew and updated it and added new subtleties and nuances. For me, that was my heyday of collecting Superman comic books. It really felt like this was my version of Superman. I know it really created a lot of excitement for that character, not just among die-hard DC fans, but across all comic book readers in general.
DiDio: We actually had, last year, a very large writers meeting about the general direction and tone of the DC Universe, and one of the conversations that was the biggest conversation in the room was about the marriage of Lois and Clark, and it was a much discussed topic.
Most people saw the benefits of making this change, because they saw what the story potential was and how much they could open up their ability to examine the character in a bigger way, once we decided to move in this direction.
Oracle to Batgirl
Nrama: Let's talk about the decision to change Barbara Gordon's status from Oracle to Batgirl. Was there any consideration about how this would affect diversity in the DCU, since you're basically eliminating one of your most beloved disabled heroes?DiDio: I think we have a really strong line that features a wider range of diversity throughout it. And in this particular case, we were looking specifically back at the Barbara Gordon character. And when you talk about Batgirl, whether it's with a casual fan or even to somebody who just knew the Batman character, Barbara Gordon is always the one people default to as "who Batgirl is."
Believe it or not, this was the more difficult choice to make for us, because we saw what the benefits of the Oracle character were, we saw what the challenges of making this change were going to be.
A couple things helped make our decision on this. One is that we felt like Barbara Gordon was always going to be the strongest Batgirl. And we had chances to tell new stories with her too. And also, the role of Oracle as a character in the DCU has changed greatly. When Oracle was first created, there was a sense of an emerging internet, and an emerging world of data out there. A lot of that has changed, and the role of Oracle has changed over the years.
What we needed to do was to continue to make Barbara Gordon one of the strongest characters possible, in or out of the wheelchair. And we felt that this was a strong direction for us.
But also, we're not discounting anything that character has gone through. And we want to make her change and her challenges a part of her story. And [writer] Gail [Simone] is doing a wonderful job with it.
Nrama: We've heard that she will go through physical therapy. Are you confirming that her past disability will continue to be part of her story going forward?
DiDio: Yes!
Lee: Absolutely. And I really think because of her past as Oracle, Batgirl will become — no, not become — she will remain one of the most interesting characters in the DC Universe. What Gail has been writing has been tremendously inspirational and exciting at the same time.
"Soft" Reboot and New ReadersNrama: You're trying to reach new readers, and you're making Superman more "accessible" by dropping his convoluted history. And yet at the same time, you have this "soft" reboot where you've got Barbara dealing with her lengthy past, you've got a Green Lantern #1 comic that doesn't star Hal Jordan because of a recent storyline, and you've got a Batman with a son from a past storyline. Isn't this making continuity more convoluted? Why did you make the decision to keep this type of continuity when you're dropping others to attract new readers? Was it only about what books were already selling well?
Lee: I would say it was all creatively decided, but obviously if you have really strong content and really great creative direction, it's going to affect sales.
On an editorial level, we instinctively knew what was working and what wasn't working. We knew what needed a fresh coat of paint or even a complete overall. I'll use Teen Titans as an example of a concept where we changed it a lot. In that case, we felt that the book should be doing better, and creatively, we felt it was one that needed a shock to the system.
That's what you're seeing. Sometimes we realized we had to take a pretty strong stand and do something dramatically different.
Fill-In Artists and Timeliness
Nrama: Timeliness seems to be a big part of your communication to DC artists and writers leading up to September, and we've heard there's an intent to use fill-in artists whenever needed. We saw some indications that's happening in October, because there are some new names that have shown up to help out. What's the thinking behind how you're approaching book timeliness now, and why is it more hard-line than in the past?DiDio: It's more hard-line than in the past for several reasons, and one is that it's the largest concern we've heard from retailers on a continual basis. They've been concerned in the past about our inability to put out books on a consistent basis, especially the books that people are looking for.
The reality is that we're in a periodical business. Periodical means that we have to be out every month. We've made a contract with the retailers, and a contract with the fans, to deliver our product to them on a consistent basis, and we should do so.
Over time, we've gotten a little lax in our delivery, and people were willing to wait for books because those books mattered to them. But as it spread throughout the business, people became less patient and sales suffered for it.
We have to rebuild the retailer confidence, we have to rebuild the fan confidence in our ability to deliver, which means we have to hold a hard line and be there.
And a lot of people are just not monthly people anymore, so we have to be smarter about how we schedule our books, how we plan our books, and how we plan who's going to be on them. I think what matters more than anything else is our ability to be there month-in and month-out.
We want to build that fan loyalty again. We want to build that consistency. We want people who walk into a store expecting a comic to be able to find that comic. There's nothing more frustrating for me or any of the fans, I'm sure, to be excited about something then not be really sure when it's coming out.
It's something I feel extraordinarily passionate about, and we're going to great lengths to make sure we hold that schedule.
Some people say to me, how can you guarantee 100 percent delivery? And the answer comes back: "It's our job to do that." We will make sure we will do that, and we'll make sure we don't sacrifice quality or story along the way. We want to make sure that everybody working on the books deserves to be on those books and we're putting out our best products.
Digital Market
Nrama: Jim, I heard a retailer talk about some analogies he'd heard you use where you'd said that if the digital market is like a hair, then the print market is like an 8"x10" piece of paper, which implies the digital market is very small compared to print. What analogy would you use for what you hope to see after this initiative? Will they be more comparable? Will print shrink to expand digital, as many retailers think?
Lee: The ideal state would be for the digital slice to grow, but the overall size of the whole pie to grow as well. We hope and expect the influx of digital readers to be an additive layer of business on top of our existing print business.
That's not to say you're not going to have some conversion of print-to-digital customer. But we've found that the huge majority of print customers prefer comics in print, and they are going to stick with print.
We really feel the digital format going day-and-date, making this accessible to everyone with a portable media device, will allow a lot of lapsed fans and new fans to check out what we're doing in the DC Universe come September, and that level of interest will convert some of those new readers and lapsed readers back into regular readers. And that will benefit the entire comic book business.
So we want the digital slice to be larger, and we want the overall size of the pie to get larger along with it.
Pants and Reaction to Change
Nrama: Jim, you just put Wonder Woman in the pants a year ago. Why the change back to the bathing suit/bloomers look so soon?
Lee: I don't think anything has been officially announced in that regard. I think there have been a couple of interesting images online, but it's something that we'll discuss at San Diego Comic Con.
Nrama: The cover for Wonder Woman #1 used to feature her wearing the pants, but now it's been changed back to being the bathing suit look. Your spokespeople confirmed that was the new cover.
Lee: Yeah, here's the thing... the internet is like everyone looking at tealeaves for direction. There's so much interest in what's going on in September that everyone's looking at every little image and trying to interpret it.
It's exciting to see that level of passion for what we're doing in September.
I'll just say, as far as Wonder Woman, it's something we'll discuss at San Diego Comic Con.
The funny thing about what I've seen, in regards to whether she should have the bloomers or the long pants, is that there are probably just as many people who hate the concept of the shorts versus the long pants. There are just as many people who say, "What? No pants? What's going on?"
It's interesting to see how quickly the look for a character can take hold with the readership.
I think that's an important thing to note in all this. It feels like there's a lot of discussion and hoopla about the changes that are coming in September. A year from now, if we do our jobs right, there will be as many people who love what we've done as there may be now who are fearing the changes.
What we accept as the "status quo" for these characters now were big changes at some point. We have to invite change as we go forward in time, because if we don't, they become the pulp heroes of yesteryear. Part of the driving force behind the September initiative is not to rest on our laurels, to really step up and examine every bit of their mythology and look for exciting opportunities to really take these characters in new directions.
Nrama: Is that a goal? To change minds in a year?
Lee: I think it will be a lot quicker than in a year. What I'm saying is that the level of adoption and acceptance by fandom is much more elastic than people think.
Yes, people are surprised by change. People question it. But the truth is, a lot of people will check this material out, and given the line-up of creators, I would not bet against the DC Universe.
I think people are going to be pleasantly surprised by the storylines and new directions, the new looks, and you're going to have some really die-hard DC September relaunch fans come September 2012. I think that's just part of the history of comics, and part of the history of fandom.
Overall Goals
Nrama: Dan, how would you describe the overall goals of the September initiative, and how will you measure whether or not this worked?
DiDio: You know, naturally, increased sales is always a great measure for us. It's probably our strongest measure to gauge any level of success.
But realistically, I'm most excited about our ability to galvanize the industry and get people excited about it again, and about what we're doing.
I always say that apathy is the worst thing for comics, because the last thing we want to do is wake up one morning and find out that all the fans have left us. But our goal right now is to find a way to re-energize the business, re-energize our company and our characters.
How do I gauge that? I gauge it by the level of excitement, the level of conversation, and the level of sales we achieve.
We're in a position ourselves for a changing market, but we want to make sure everything we do is in the best interest of telling the best stories as possible. At the end of the day, it always comes down to, what are the stories? Whether we're putting it in print form or digital form. If the stories are there, if the stories are good, people will find them.
We need to be the best we can be right now, because if we look around us, we see a market that is shrinking. We feel like we're in the position right now that we have the ability to really start rebuilding ourselves and rebuilding the brand and rebuilding our characters for the future.
A summary of The Riddler in Arkham City
Edward Nigma's presence in Arkham Asylum was purely aural. He would set harmless challenges via radio signal. If you were dedicated enough to track down all the Riddler's challenges in Arkham Asylum, then you know how Batman embarrassed him. Locked-up without so much as a confrontation. The Riddler is furious at this lack of acknowledgement and is out for revenge.
The third issue of the Arkham City digital exclusive comics revealed just how Riddler bought help from Poison Ivy and the Broker to escape from prison and set himself up in Arkham City before it's completion. Through the patient interviews in Arkham Asylum we were given hints at a darker side to The Riddler. It's not until we look at Arkham City's Riddler that we begin to see just how twisted his compulsion has made him. The riddles now have the added risk of human life. Nigma has kidnapped innocent aid-workers and Arkham staff in order to bait his Bat-traps. No longer can Batman ignore the Riddler's taunts, he must answer them to save lives.As Batman attempts to save these innocents, the Riddler will taunt him via projected images; building the tension and frustration until the Batman can track him down for a more personal interaction. These deathtraps aren't simple obstacle courses. Batman will have to think quickly to figure out exactly how to traverse the hazards that lie between him and the hostage and how to get them out alive.
Below we look at the Riddler challenges presented in Arkham Asylum and look at how they may have changed for Arkham City.
Secrets map
In Arkham Asylum, each area contained a secrets map that not only counted towards your target of 240 complete riddles, but actually revealed on Batman's map where the riddles were located for that area.The Riddler in Arkham City, however, has done away with these maps. Instead, Batman must locate Riddler's informants within the various gangs and interrogate them to reveal the locations of riddle challenges. Once you have solved enough of these challenges Riddler will then reveal to Batman the location of another hostage.
Alignment puzzles
Dotted around Arkham Asylum were spray painted question marks that could only be seen in Detective Mode. The trick to solving these was to find the right place to stand in order to align the punctuation symbol up correctly. Whilst some of these were simple, others required that you find new paths in order to complete the puzzle.The Riddler trailer for Arkham City hints that we may see more alignment puzzles as the letters move into alignment, however, this has not been confirmed.
Riddler trophies
These little green question marks were dotted around the Asylum last time around, often in areas that, whilst off the beaten track, were fairly easy to get to.
In Arkham City, the Riddler has upped the ante. There are apparently 400 of these hidden in the open-air prison and don't expect all of them to be easy to reach.
One of the new features that batman has to contend with are pressure pads. These are tied directly to opening the trophy traps (right). In some cases Batman will be able to stand on them and retrieve the trophy using the Batclaw, in other more challenging cases, batman will have to showcase his acrobatic abilities in order to springboard from one pressure pad to another, in sequence, for the trophy trap to be opened. Other trophies can be collected by guiding a remote-controlled batarang through vents or around obstacles to hit an out-of-reach switch. |
| Pressure pad to the left of Batman's cape tip opens the trap above his head. |
Chronicles of Arkham
Whilst not technically set by the Riddler, these archives did count toward the World's Greatest Detective achievement. I would imagine that there will be something similar in Arkham City that reveals the history of the area and how it was transformed into the prison by Strange and Sharp.
Again, this has not been confirmed.
RiddlesEach area of Arkham Asylum had several riddles that could be answered by scanning the appropriate part of the environment. Whilst some of these were more subtle than others, there were often things that stood out as 'this is a riddler challenge'. It appears that in Arkham City the Riddler's security can be hacked using the cryptographic sequencer by entering the answer to a riddle. Perhaps this means that the environmental answers will be played down in favour of inputting an answer. this would certainly make things harder for Batman. If the riddles hidden within the recent Riddler trailer are anything to go by then Arkham City's riddles are going to be fiendishly difficult.
Joker TeethWithout a doubt, the most annoying 'riddle' in Arkham Asylum was destroying all the sets of Joker teeth that were scattered around. Hopefully these won't make a return appearance. If they do however, they should pose some kind of threat which gives Batman more of a reason to destroy them.
Interview TapesThe interview tapes in Arkham Asylum gave both an insight into the fractured minds of the key inmates as well as a background narrative depicting the lead-up to the game's events. A preview of ArkhamRiddler may know what Hugo Strange is up to. He certainly has no fear when addressing Arkham's new warden; could he be trying to prove that he is smarter than both Batman and Strange?
One thing is for certain, last time the Riddler was playing, this time he's out for blood.
Monday, July 18, 2011
Wednesday, July 13, 2011
The Dark Knight Rises teaser
This isn't the official release, so the quality isn't great. I'd rather have watched the official HD version, but it isn't out yet.
As soon as that is out, I will replace this with that one.
I didn't record this. I'm not thrilled that someone did, but it has happened and not showing the teaser isn't going to change that. However, I emplore you; never record anything in a movie theatre. It's just not cool.
Regardless, here is the shabby quality teaser.
As soon as that is out, I will replace this with that one.
I didn't record this. I'm not thrilled that someone did, but it has happened and not showing the teaser isn't going to change that. However, I emplore you; never record anything in a movie theatre. It's just not cool.
Regardless, here is the shabby quality teaser.
Tuesday, July 12, 2011
Batman Arkham Asylum DLC maps
So, I've been working on some of the DLC maps for Arkham Asylum. First is Totally Insane:
And I'm now ranked 65th on the Crime Alley map:
And I'm now ranked 65th on the Crime Alley map:
Monday, July 11, 2011
and some more...
Art and cover by EDDY BARROWS and JP MAYER
On sale OCTOBER 19 • 32 pg, FC, $2.99 US • RATED T
When a mysterious assassin targets Dick Grayson, Nightwing must work fast to uncover the killer’s plot before he strikes again. But as Haley’s Circus continues to perform in Gotham City, Dick finds himself torn between two lives: His old one as a circus performer and his new one as a Super Hero. And they may be more connected than he ever realized!
Art and cover by KENNETH ROCAFORT and BLOND
On sale OCTOBER 19 • 32 pg, FC, $2.99 US • RATED T
Red Hood is already globe-trotting in an effort to find the ancient assassins behind the slaughter of those who taught him some of his darkest skills… and if Roy and Kori are going to be of any help, well, they’ll just have to tag along – whether Jason wants them to or not!
Art and cover by JESUS SAIZ
On sale OCTOBER 19 • 32 pg, FC, $2.99 US • RATED T
An explosion in a secure Gotham City airport terminal hurls Black Canary and Starling headlong into a nightmare involving stolen pharmaceuticals, terrorists for hire and killers in stealth suits who can appear – and disappear – at will. When Canary calls in backup, Starling’s not so sure a vengeful samurai who talks to her dead husband in a sword is the best choice.
Art by ARDIAN SYAF and VICENTE CIFUENTES
Cover by ADAM HUGHES
On sale OCTOBER 12 • 32 pg, FC, $2.99 US • RATED T
The nightmare-inducing brute known as Mirror is destroying the lives of Gotham City citizens seemingly at random, and an explosive confrontation between Batgirl and Mirror leads Babs to question wearing the cape and cowl at all!
The riveting adventures of Batgirl continue in stunning fashion, with script by fan-favorite Gail Simone and stellar art by superstar Ardian Syaf!
Art by DAVID FINCH and RICHARD FRIEND with JAY FABOK
Cover by DAVID FINCH and RICHARD FRIEND
On sale OCTOBER 26 • 32 pg, FC, $2.99 US • RATED T
Something sinister surges through Arkham Asylum, and Batman finds himself bombarded by his greatest foes in this second sensational issue from superstar creator David Finch!
Bigger, meaner, and more powerful than ever before, the inmates of Arkham Asylum run rampant as the entire Bat Family struggles to keep the walls from falling down, unleashing Gotham City’s worst criminals on the unsuspecting population. And you won’t believe the jaw-dropping final page! Just keep repeating, “It’s only a comic book. It’s only a comic book…”
BATWING #2Written by JUDD WINICK
Art and cover by BEN OLIVER
On sale OCTOBER 5 • 32 pg, FC, $2.99 US • RATED T
He is called Massacre, and he brings death. What does the soldier in service of Batman Incorporated do when he’s met his match? When he’s been brought so low and been wounded so badly? What does he do when lost Super Heroes begin turning up as victims? Batwing fights back!
Source: DC The Source
Previewing Batman in October
More Bat-titles have been trickling out...
BATMAN AND ROBIN #2
Written by PETER J. TOMASI
Art by PATRICK GLEASON and MICK GRAY
Cover by PATRICK GLEASON
On sale OCTOBER 12 * 32 pg, FC, $2.99 US * RATED T
Batman’s fears about Robin’s tendency to dish out more pain than necessary are growing! And who is the man named NoBody, visiting Gotham City to say hello to his old friend Bruce Wayne and find out where he went wrong in his battle against crime.
BATMAN #2
Written by SCOTT SNYDER
Art and cover by GREG CAPULLO and JONATHAN GLAPION
Cover by GREG CAPULLO
Variant cover by JIM LEE
1:200 B&W variant cover by GREG CAPULLO
On sale OCTOBER 19 * 32 pg, FC, $2.99 US * RATED T
Retailers: This issue will ship with three covers. Please see the order form for more information.
Bruce Wayne is back in the cowl, hunting a new and deadly killer in Gotham City – a killer with a vendetta against Bruce Wayne! But who is this mysterious killer in an owl skull mask? And is he the key to unlocking one of Gotham’s oldest and most terrifying secrets? Be there for their first brutal encounter!
PENGUIN: PAIN AND PREJUDICE #1
Written by GREGG HURWITZ
Art and cover by SZYMON KUDRANSKI
On sale OCTOBER 5 * 1 of 5, 32 pg, FC, $2.99 US * RATED T
In this exciting new miniseries from novelist Gregg Hurwitz (You’re Next) and rising star artist Szymon Kudranksi (Spawn), the painful and dark past of one of Batman’s most devious foes is examined. How did young Oswald Cobblepot go from being the apple of his mother’s eye to the leader of underworld gangs and adversary of The Caped Crusader? Find out in PENGUIN: PAIN AND PREJUDICE!
BATWOMAN #2
Written by J.H. WILLIAMS III and W. HADEN BLACKMAN
Art and cover by J.H. WILLIAMS III
On sale OCTOBER 12 * 32 pg, FC, $2.99 US * RATED T
Horror! A terrifying new villain stalks the innocent children of Gotham City! Intrigue! A threatening government agency is hot on Batwoman’s trail. Romance! Kate Kane’s new relationship is heating up!
Can Batwoman stop the new evil rising from the damp back alleys of Gotham’s barrios? And overcome the many challenges she faces as both Batwoman and Kate Kane? 2011′s most anticipated new series intensifies in this exciting second issue!
CATWOMAN #2
Written by JUDD WINICK
Art and cover by GUILLEM MARCH
On sale OCTOBER 19 * 32 pg, FC, $2.99 US * RATED T+ She’s a thief who lives to steal just for the thrill of breaking the law. He’s The Dark Knight, obsessively driven to battle evil with every ounce of his strength. They should keep each other at arm’s length, but…they just can’t seem to help themselves! Don’t miss this issue – things are gonna get messy!
Source: http://www.gothamknightsonline.com/
Written by PETER J. TOMASI
Art by PATRICK GLEASON and MICK GRAY
Cover by PATRICK GLEASON
On sale OCTOBER 12 * 32 pg, FC, $2.99 US * RATED T
Batman’s fears about Robin’s tendency to dish out more pain than necessary are growing! And who is the man named NoBody, visiting Gotham City to say hello to his old friend Bruce Wayne and find out where he went wrong in his battle against crime.
Written by SCOTT SNYDER
Art and cover by GREG CAPULLO and JONATHAN GLAPION
Cover by GREG CAPULLO
Variant cover by JIM LEE
1:200 B&W variant cover by GREG CAPULLO
On sale OCTOBER 19 * 32 pg, FC, $2.99 US * RATED T
Retailers: This issue will ship with three covers. Please see the order form for more information.
Bruce Wayne is back in the cowl, hunting a new and deadly killer in Gotham City – a killer with a vendetta against Bruce Wayne! But who is this mysterious killer in an owl skull mask? And is he the key to unlocking one of Gotham’s oldest and most terrifying secrets? Be there for their first brutal encounter!
PENGUIN: PAIN AND PREJUDICE #1
Written by GREGG HURWITZ
Art and cover by SZYMON KUDRANSKI
On sale OCTOBER 5 * 1 of 5, 32 pg, FC, $2.99 US * RATED T
In this exciting new miniseries from novelist Gregg Hurwitz (You’re Next) and rising star artist Szymon Kudranksi (Spawn), the painful and dark past of one of Batman’s most devious foes is examined. How did young Oswald Cobblepot go from being the apple of his mother’s eye to the leader of underworld gangs and adversary of The Caped Crusader? Find out in PENGUIN: PAIN AND PREJUDICE!
Written by J.H. WILLIAMS III and W. HADEN BLACKMAN
Art and cover by J.H. WILLIAMS III
On sale OCTOBER 12 * 32 pg, FC, $2.99 US * RATED T
Horror! A terrifying new villain stalks the innocent children of Gotham City! Intrigue! A threatening government agency is hot on Batwoman’s trail. Romance! Kate Kane’s new relationship is heating up!
Can Batwoman stop the new evil rising from the damp back alleys of Gotham’s barrios? And overcome the many challenges she faces as both Batwoman and Kate Kane? 2011′s most anticipated new series intensifies in this exciting second issue!
Written by JUDD WINICK
Art and cover by GUILLEM MARCH
On sale OCTOBER 19 * 32 pg, FC, $2.99 US * RATED T+ She’s a thief who lives to steal just for the thrill of breaking the law. He’s The Dark Knight, obsessively driven to battle evil with every ounce of his strength. They should keep each other at arm’s length, but…they just can’t seem to help themselves! Don’t miss this issue – things are gonna get messy!
Source: http://www.gothamknightsonline.com/
Detective Comics in October and Marcus To draws Huntress
DETECTIVE COMICS #2Source: Newsarama
Written by TONY S. DANIEL
Art by TONY S. DANIEL and RYAN WINN
Cover by TONY S. DANIEL
On sale OCTOBER 5 * 32 pg, FC, $2.99 US * RATED T
Batman sets his sights on the Gotham Ripper, who in turn has his sights on Batman. Meanwhile, Bruce Wayne explores a budding romance with television journalist Charlotte Rivers, who's visiting Gotham City to cover the gruesome slayings - while also trying to uncover Bruce's own mystery. But time is running out as both Commissioner Gordon and Batman work to uncover the true identity of this new serial killer.
DC has also exclusively revealed the Levitz-written, Marcus To and John Dell-drawn The Huntress five-issue series that also debuts in Month 2 of the DCnU. The cover to issue #1 (to the left) is by Guillem March.Paul Levitz has something of a history with the character, as he's credited with Joe Staton and Bob Layton for co-creating (in 1977) the Helena Wayne version of the Gotham City-based vigilante (daughter of the pre-Crisis Earth Two Batman and Catwoman). That version was killed during 1985's Crisis on Infinite Earths, her existence erased from the new post-Crisis unified timeline, and she was replaced with the similarly-looking Helena Bertinelli version, now the daughter of a Gotham crime boss.
This 2011 revamp Huntress apparently has Italian roots, as DC reports she heads "home" to Italy to embark on a life-defining mission in this series, suggesting the DCnU version of the Huntress will likely remain Helena Bertinelli. It appears she will also continue to have ties with the Birds of Prey in the upcoming months.
And be on the lookout for more October 2011 solicitation previews from the DCnU Batman family later on Monday and presumably other "families" of the New 52 every day this week leading to the usual reveal of the full monthly solicitations early next week.
Update:
THE HUNTRESS #1Written by PAUL LEVITZ
Art by MARCUS TO and JOHN DELL
Cover by GUILLEM MARCH
On sale OCTOBER 5 • 1 of 6, 32 pg, FC, $2.99 US • RATED T
Look out! By the end of this hot new miniseries, the Huntress will have the largest price on her head in DC Universe history.
What will the Huntress do that warrants such a death mark? And who puts it there? The jaw-dropping events will be revealed as the Huntress heads home to Italy and embarks on a mission that defines her life. Don’t miss out, because this story will tie in to upcoming events in BIRDS OF PREY!
Here is a sketch of Helena Bertinelli and a comission of Huntress and batgirl (both by To) to whet your appetite:
Batman Arkham City: Riddler trailer
Can you solve the riddle?
Rearrange the words in the trailer to:Follow as we uncover the truth here.
Ridd(9)le m(1)e t(13)his wh(2)at doe(5)s i(20)t t(20)ake t(5)o Kee(18)p a(20) Shar(8)p pup(1)pet o(14)n (25)a Str(15)ange str(21)ing?
9 1 13 2 5 20 20 5 18 20 8 1 14 25 15 21
I am better than you
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